SHAKESPEARE BASH'd

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      • The Man of Mode Cast
      • The Merchant of Venice Company
      • Spanish Tragedy Cast
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    • The Merchant of Venice
    • The Two Noble Kinsmen
    • The Revenger's Tragedy
    • 'Tis Pity She's a Whore
    • The Tragedy of King Lear
    • Cymbeline
    • A Midsummer Night's Dream
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      • King John - Family Tree
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    • Macbeth
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    • Much Ado About Nothing
    • The Taming of the Shrew
    • A Midsummer Night's Dream - Staged Reading
    • Romeo & Juliet - Staged Reading
  • Contact Us
  • Support the Season
  • About Us
    • Mission Statement
    • Company Members >
      • The Man of Mode Cast
      • The Merchant of Venice Company
      • Spanish Tragedy Cast
    • History
  • Productions
    • The Merchant of Venice
    • The Two Noble Kinsmen
    • The Revenger's Tragedy
    • 'Tis Pity She's a Whore
    • The Tragedy of King Lear
    • Cymbeline
    • A Midsummer Night's Dream
    • As You Like It
    • Othello
    • Measure for Measure
    • Richard III
    • Volpone
    • Gorboduc
    • Twelfth Night
    • The Changeling
    • The Comedy of Errors
    • Hamlet
    • King John >
      • King John - Family Tree
    • Edward II - Staged Reading
    • The Merry Wives of Windsor
    • The Taming of the Shrew - Remount 2015
    • Macbeth
    • Love's Labour's Lost
    • Romeo & Juliet
    • Much Ado About Nothing
    • The Taming of the Shrew
    • A Midsummer Night's Dream - Staged Reading
    • Romeo & Juliet - Staged Reading
  • Contact Us
  • Support the Season

Love's Labour's Lost

at The Victory Cafe
July 3 - 13, 2014
as part of the Toronto Fringe
Shakespeare BASH’d returns to the Victory Café after two straight years of sold-out Fringe Festival performances with Shakespeare’s zany comedy, Love’s Labour’s Lost, this time with Shakespeare BASH’d Founder and Artistic Director James Wallis in the director’s chair.  Wallis is ready to transport the audience into a raucous collegiate experience, turning the Victory Café into a fraternity house, with the action of the entire play taking place in the fraternity’s bar. “The Victory will be truly transformed,” says Wallis. “Over the past two years, we’ve worked well within the confines of the space, but I want to re-imagine the ways in which we can use this bar setting. I want to push the aesthetic even further, immersing our audiences fully in the world of the play; providing an unforgettable night of entertainment for all of our patrons.”
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